| Foreign
Actresses Steam Up Bollywood |
By Amlan Home
Chowdhury |
| Bollywood is tempting foreign actresses. |
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Aishwarya Rai may be venturing out
of Bollywood in search of greener film pastures abroad, but
at least 16 foreign Venuses are orbiting the Indian film industry
to fill her spot, testifying to the global appeal of the country’s
silver screen.
The recent controversy over Nigar Khan, voluptuous model, heartthrob
of steamy music video albums and bit Bollywood actress, has
sparked new attention in foreign actresses in the world of India’s
glitterati.
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Born in Iran, brought up in Norway and educated in Australia,
Nigar has built a prolific film and video career in India. But,
she was deported by Mumbai Police in early February, because
she did not possess the “proper employment visa,”
which is a violation of the law. The controversy has sparked
panic among foreign actresses as well as producers, some of
whom had paid hefty advances and signing bonuses to her.
The Mumbai Police say that even though Khan is married to Indian
actor Sahil Khan, she is not permitted to work as a model or
actress in India, because she is on a tourist visa: “We
have charged her with violation of visa act as her tourist visa
does not entitle her to earn by acting in films, doing modeling
or as an item girl doing video film albums.”
Khan acted in Vicky Tejwani’s Shadi Ka Laddu and Double
Cross — Ek Dhokha, which was shot in Cape Town, South
Africa, and London. She is the lead in Kumar Jai’s latest
celluloid venture Shortcut. Since Khan was deported, Shortcut
is on hold, prompting Kumar Jay to lament that her deportation
has hit him financially hard.
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Kumar Jai denounced the Mumbai Police action as “excessive,”
protesting that a star of Khan’s stature should not have
been expelled so unceremoniously. She was not permitted even
to return home to pack her bags and was placed on the first
available international flight out.
Mahesh Bhatt, the famous filmmaker, who faced visa problems
with his South African actress Ilene Hamman earlier, also denounced
Khan’s expulsion.
Bhatt said when Hamman came to India to perform in his films,
the Foreign Citizen’s Registration Office of Mumbai Police
was rude and heavy handed toward her.
Nigar Khan is the first foreign actress to be deported so publicly,
even though foreigners have been acting in Bollywood films since
1971.
Only two of the foreign actresses, Khan and Yana Synkova Gupta,
sought to settle in India, both marrying Indian actors. Both,
however, are better known as models and video song album performers
than for their Bollywood roles.
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The foreign invasion of Bollywood began in 1971 when Gambler
portrayed the sexy British actress Zahida Zahira beside super
star Dev Anand. She was followed by another British actress, Sheeba.
Over a 20 year span from 1971 to 1990, only three other Pakistani
actresses, Salma Aga, Zeba Bakhtiyar, Somi Ali, and a Bangladeshi
Babita penetrated Bollywood. Of them, only Salma and Babita were
commercially successful. Babita got her golden chance in Satyajit
Ray’s Asani Sanket (Distant Thunder), which became a major
hit.
The current actresses in Bollywood are, however, drawn not just
from neighboring Pakistan and Bangladesh, but from all over the
world, including Czechoslovakia, Norway, South Africa, Australia,
Serbia, United States, United Kingdom and Thailand
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None of the foreign actresses, either present or the past,
set the stage on fire, either in India or their home countries.
The exception is Manisha Koirala, who is from Nepal. Few Indians
identify her as a foreign actress, however, and India and Nepal
allow citizens to move and work freely between their two countries.
Moreover, Manisha studied in Varanasi and is often mistaken
for an Indian actress, much like Mala Sinha decades earlier,
who too was Nepalese and had studied in India.
The current invasion of foreign actresses began in 2000 when
several began modeling and rocking in video song albums. They
have proven successful in both industries, but haven’t
quite hit their strides on the silver screens. However, Rachel
Shelley, even though she spoke only English in Lagaan, was a
brilliant success among Indian as was Katerina Kaif in Boom.
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Bhojpuri film maker Ramprabesh Akela believes foreign actresses
have failed to win mass acceptance, because of their alien looks
and faltering Hindi. Only Nigar Khan and Yana Gupta are proficient
at the language. Because of the language impediment, Akela said,
Bhojpuri films are unlikely to cast them, “At least, I am
not going to have the role of heroin or side heroines done by
firangi actress in my films.”
Akela said Bollywood directors cast foreign actresses in part
because they command 50 to 70 percent lower prices. For video
song albums, top foreign performers like Nigar Khan and Yana Gupta
charge between $10,000 to $15,000. By contrast, even a moderately
famous Indian artiste would command $20,000.
Akela said domestic actresses are also often overbooked and producers
are too impatient to wait for two to three years before they become
available. Foreign actresses, by contrast, jump at the opportunity,
adventure and prestige of working in the world’s largest
film industry.
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He added that some of the leading Indian actresses have a reputation
for being whimsical, arriving late on the set, misbehaving with
the crew and being demanding and moody. By contrast, the foreign
actresses tend to be far more producer and director “friendly”
and accommodating and professional about their obligations.
But perhaps the single biggest appeal of foreign actresses for
directors is their willingness to appear in risqué projects.
Although several new Bollywood actresses, like Mallika Sherawat,
Bipasha Basu, Priyanka Chopra, Neha Dhupia and Preeti Jhingania,
are exposing their bodies on screen, foreign actresses are prepared
to go much further. Indeed, several of them, including Katerina
Kaif, Yana Gupta, Ilene Hamman, Tata Young and Tania Zeta are
the steamiest vixens of music video, with Nigar Khan being the
steamiest of the lot.
Lakhinder Shah Lucky, a well known floor manager in Bollywood,
says foreign actresses are set to become a permanent fixture of
Bollywood because of their growing appeal. Of their midriffs,
atleast.
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- End Of Article. |
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