The magic and mystique of Dev Anand, Bollywood’s original Dorian Grey, a human, turbo-charged dynamo who refused to stand still, look back, rest on his laurels or be discouraged by flops or stinging broadsides of critics, contemporaries and colleagues, zooming ahead with passion, towards his next project.
Whatever happened to Bollywood’s heartbreak melodies?
“In such an insanely competitive market, to carve a niche with such modest talent, is indeed fantastic and I mean it as a compliment.”
Over time, serious contenders, such as Akshay Kumar, Ajay Devgun and Hrithik Roshan, enjoyed their moments (they still do), but all things considered, the Khan trio between them seem to have hijacked the popular imagination and developed an unmatched and unprecedented fan base across the globe.
Has B-towns latest Box Office Badshah upped the ante for loud, over-the-top, mindless, action-packed masala — and in the process threatened good taste and quality cinema?
A prank by Bollywood superstar Amitabh Bachchan has unleashed a nightmare for 10 mobile phone numbers in Punjab.
A tribute to Mr. Yahoo, the once abject failure, who became a rebel star and revolutionized Indian cinema
"Enjoying marital bliss. Team Dixit-Nene on their way to India!"
Bollywood is gripped by come-backs of the heroine kind.
Men play second-fiddle on Indian TV serials.
Thrilling youngistan, shocking old-istan, the new breed of song-writers in Bollywood is re-writing the rules of the game. What’s going on?
Review of the Indian Film Festival in Los Angeles?
Contrary to popular belief, it has little to do with the poor track record indicated. If they haven’t impacted the film or audience, the fault lies squarely on the filmmaker and his intent in using this creature effectively.
Award shows are the new disease in B-town. Are they about recognizing and rewarding excellence … or exploiting opportunistic vested interests?
Is the Star-as-Bhand the new trip in B-town? Cheap or cool?
In new-age Bollywood, there is a hysterical drive to grab the janta’s attention, at any cost. How does it pan out?
Will No One Killed Jessica be the catalyst to spearhead a turnaround for this seemingly doomed, rejected and neglected genre?