What to wear is a question that
plagues most of us before a party. And when the event
in question is your wedding, no amount of variety,
shopping trips and advice is enough. While largely
tradition bound (remember those tiny regional dolls
in all their bridal finery?), the wedding outfit is
also an indication of the larger fashion trends. According
to fashion designer Azeem Khan, “The world is getting
seamless, borderless — hence, it is important that
the ensembles have a world appeal in hues, silhouettes
and embellishments and are not restricted to the Indian
ethos only.” This year the Indian buzz is that the
brides are daring. Not content with demure, they want
to be flamboyant. Not satisfied being straddled in
yards and yards of heavy silks, they want to show
off that great figure maintained with much hard work.
“The bride has to be flamboyant and glamorous while
epitomizing taste and style. Many trendier brides
are also opting for churidar kurta as their bridal
wear. As the women are getting conscious of their
bodies the silhouettes they are going in for are tapered
and slender. This season I have also designed short
kurtas with very fitted net churidars for some brides,”
says Azeem Khan.
Abu Jani and Sandeep Khosala’s entire trousseau collection
for 2002 includes chikan embroidery salwar kameezes,
georgettes sarees co-ordinated with halter-neck blouses,
and chiffon churidaar kurtas with beads, floral motifs
and chikan work on the kurta. Western wear is a major
part of a 21st century brides’ trousseau. A few gowns,
some tunics, fusion wear, short kurtas, all form a
part of the bridal trousseau.
While the big names in fashion
predict the look, local designers are quick to follow
in their footsteps.
Says Meetu Vig who designs in a suburb of Mumbai,
“Brides are okay with showing off their figures now.”
Says another local designer Deepika Shah, “After Kareena
Kapoor girls have become trendy. They want hipsters
in their trousseau. Even the traditional Gujarati
gharchola has become very trendy. The brides are not
even wearing the kalidaar petticoat anymore. They
are going in for an A-line skirt to be worn under
the saree for a more tapered look.” One of Deepika’s
latest outfits was hipsters for a Punjabi reception.
The kurta was short, the pants were tight on the thighs
and there was embroidery till the knee. The dupatta
with this outfit was fully embroidered.
Variations of the Ghaghara
Ghaghara-choli has become the ensemble of choice amongst
many brides regardless of the region they belong to.
“There are variations like Punjabi brides will go
in for a salwar kurta for the Gurdwara wedding and
South Indians wear a saree for the kalyanam but for
evening most brides choose chania-cholis,” says Meetu.
“I am planning to go fully traditional with a nine-yard
saree and a long veni in the morning. But for the
evening my family has agreed on a chania choli,” says
B Sukanya who is soon to be married.
Designer Ritu Seksaria’s collection also includes
lehangas in materials like crepes georgettes and soft
tissues along with jaamevars, silks and khadi silks.
An innovation in style this season from azeem khan
couture is the wrap around lehenga over a sharara.
Says Khan, “This is a big rage with every bride-to-be
this season.” Decorated with pailette vines, metal
leaves, caviar beads and marquise crystals, the outfit
is heavily embellished with crystal dust. The crystal
tassels add to the grandeur.
The Choli Story
While short blouses are being chosen by most, the
figure, of course, must be kept in mind. A heavy figured
bride looks slimmer in a short kurta with slits. Similarly
with the sleeves, the Devdas look of short puff sleeves
with layers is in but only if your arms are as thin
as Aishwarya Rai’s. For heavier arms cap sleeves look
better. Necks are wide and daring.
The flamboyance is showing in the dupattas and ghaghras.
When Meera and Muzaffar Ali showed a layered skirt,
an offshoot of the gypsy look the world over at the
fashion week, the world was quick to follow. Meera
and Muzaffar Ali’s trousseau collection had a dull
fuchsia skirt with a design of sequins waves and a
zari layer peeping underneath. A use printed or jamewar
lining under a chiffon or net skirt is being picked
up by local tailors.
Shaina NC introduced 17 ways
of tying a saree and now the neighbourhood bazaar
is stocking two dupattas for a rich look. One of them
3 metres long and the other 2 . The drape is different,
while one is used to cover one shoulder, the other
one comes from the shoulder across the back and is
attached around the wrist with a hook. The attempt
is to recreate the flowing Bengali look in Devdas
style.
Azeem Khan says, “My dupattas are bejewelled and minimise
the need for jewellery for the neck. Strings of beads
gathered together in the centre with fabric on either
side to give the look of a thick beaded necklace,
the woven paillete vine stole encrusted with marquise
crystals styled in a manner to look like a choker
when draped around the neck and the diamonds shaped
woven beaded cluster stoles are some of the novel
options for brides this season.”
Ethnic embroidery and Swarovski embellishments make
Ritu’s bridal wear ornate. She believes in shimmer
in bridal wear and embellishes the line with bugle
beads, gold thread, sequins, embroidery, weave and
print to create an almost futuristic look.
Ornate and Regal
While the cuts are basic and lines simple, the same
cannot be said for the embellishments. Embroidery
of a vast variety and, fabrics of every texture are
being used. Devdas may or may not get an Oscar home
but it has successfully changed the wedding fashion
this year. Post the film, the heavily embroidered
look is in. For those who find Swarovski crystals
too expensive sequins or even coloured kundan is being
substituted. There is so much of variety in coloured
sequins such as flat sequins, star sequins and even
triangle one that one can create a new look everyday.
Silver is being used in combination with gold and
antique look is very popular.
Bold Colors
Colours too have a whiff of boldness and pastels so
hot last year, are not dominating bridal wear. “The
bride is ready to explore newer shades and the colour
palette is not just restricted to red for her,” says
Khan. “I have provided would-be-brides a wide array
of hues to select from - from jewel tones like gold,
silver, fuchsia, orange, emerald green, candy floss
pink and Naples yellow to pastels like aqua blue,
lilac and celadon, peach and cream and powder blue.
I have also given the brides options of choosing shaded
colors - colors going from orange to lime green and
fuchsia to yellow.” “I have used vibrant hues like
yellows, pinks, oranges, reds and fuchsia,” says Ritu.
The Devdas look is being seen
on sarees too. Borders are now very popular. Mukaish,
kamdani and zardozi borders can make an already rich
saree positively regal. Bridal sarees can be enhanced
by some highlighting. The two colour double pallu
sari that Azeem Khan introduced three seasons back
continues to be very popular with brides as it adds
glamour while providing functionality.
Here comes the bridegroom
Gone are the days when men had to be content with
a hired zari sherwani or a suit as their wedding gear.
Even as Shah Rukh Khan turns to designer wear in films,
and Hrithik Roshan’s sherwani outfit inspires bridegrooms,
choices for men have increased. Men can wear embroidered
churidaar kurta sets, tissue, crochet sherwani with
a dupatta or a jacket sherwani for the wedding. Sonu
Nigam’s tissue sherwani on his TV show is indicative
of the general trend too.
Men clothes also come with various types of embroidery.
There is zardozi, kashmiri embroidery, French knots.
The popular colours are beige, cream, brown and copper
which are ideal for showing off the intricate work.
The K3G collection is still very popular.
Ritu has designed the traditional “Baghas” (ensembles
worn by kings and princes), sherwanis, kurta pajamas
and embroidered dhoti-kurta sets for grooms. Subtle
colour combinations and crisp look with intricate
embroidery dominate the menswear.